Armin Linke è nato nel 1966 e vive a Milano. Come fotografo e filmmaker sta lavorando a un archivio a crescita progressiva sulle diverse attività umane e sui nuovi paesaggi naturali e artificiali, cercando di documentare situazioni in cui i confini tra finzione e realtà si assottigliano e diventano invisibili.

SOLO SHOWS

2009                                                                                                                                                                   “Settecentonovantatre”, Base, Progetti per l’Arte, Firenze, Italy
“Immaginario Nucleare”, Palazzo M, Latina, Italy
    
2008                                                                                                                                                                                 “Immaginario Nucleare”, Museo della Calcografia, Rome, Italy
“Armin Linke – Moduli, accumulazioni, strutture, USM, Milan, Italy

2007
“Armin Linke”, Klosterfelde Gallery, Berlino, Germania
“Armin Linke”, Vistamare, Pescara, Italy
“40 – Armin Linke”, Galleria Comunale d’Arte Contemporanea”, Monfalcone (GO), Italy
“Armin Linke/Julie Becker” (doppia personale), Kore Arte Contemporanea, Bagno a Ripoli (FI), Italy


2006
“Tab”, Galleria Massimo De Carlo, Milano, Italia

2005
“Prospectif Cinéma”, Centre Pompidou, Parigi, Francia
Galleria Luisa, São Paulo
Web Vistamare, Pescara, Italia

2004
Storefront, New York
Vitamin Creative Space, Guangzhou
Cultural Transmission Center, Beijing
Biz-Art, Shanghai
31 Art Space, Hangzhou

2003
Klosterfelde, Berlin
Galleria Civica, Modena
Accademia Americana, Rome

2001
“Muro temporaneo”, Studio Massimo De Carlo, Milano
“Mahakumbhmela”, Galleria Marabini, Bologna

2000                                                                                                                                                                                   Magazzino d’Arte Moderna, Roma
“Global Box”, Galleria Marabini, Bologna

1999
Studio Massimo De Carlo, Milano

1998
“Sozialromantischer Ausblick”, Newsantandrea, Savona

1996
“Instant Book 1/2/3”, Deitch Projects, New York

1994
“Camera di Sicurezza”, Galleria Sozzani, Milano

GROUP SHOWS

2009                                                                                                                                                                                             “La città immaginata”, Mirafiori Galerie, Turin, Italy
“Petrolio I. La pornografia del potere”, Pocko Gallery, Milan, Italy
“LiberoLibroD’ArtistaLibero, Università degli studi, Facoltà Lettere e Filosofia, Catania, Italy
“Le isole deserte del Mediterraneo”, Villa Romana, Firenze, Italy
“The other book”, Mediateca Comunale, Enna, Italy
“LiberoLibroD’ArtistaLibero 4”, Biblioteca civica d’arte Luigi Poletti”, Modena, Italy
“YOU_ser 2.0: Celebration of the Consumer”, ZKM, Karlsruhe
 Germany
“Concrete & samples”, Museum für Gegenwartskunst Siegen, Siegen
Germany

2008                                                                                                                                                                                            28ª Bienal de São Paulo
Bucharest Biennale 3, Romania
Notation, Akademie der Künste, Berlin, Germany
Interstitial Zones, Argos Center for Art and Media, Brussels, Belgium
Viaggio in Italia, Deutsche Bank, Milan, Italy
“Teleport Färgfabriken”, Färgfabriken, Stockholm, Sweden
“Panoramic Scenes”, Centre de la Photographie, Geneve, Switzerland
“Paesaggio Italiano”, Università Luiss, Rome, Italy
“Island+Ghettos”, Heidelberger Kunstverein, Heidelberg, Germany
Bucharest Biennale 3, Bucharest, Romania
“Le Porte del Mediterraneo”, Rivoli, Turin, Italy
“No Place-Like Home”, Argos, Brussels, Belgium
“Panoramic Scenes”, Centre de la Photographie, Geneve, Switzerland
“Selective Knowledge”, Itys, Athens, Greece
“True North”, Deutsche Guggenheim, Berlin, Germany
“Post-it Cities”, CCCB Centre de Cultura Contemporània, Barcelona, Spain
“Acromatica”, Edieuropa qui arte contemporanea, Rome, Italy
“Click art international”, Sgarro Galleria d’arte, Lonigo (VI), Italy
“XV Esposizione Nazionale d’Arte – Artisti per epicentro”, Museo Epicentro, Barcellona Pozzo di Gotto (ME), Italy
“The Map is not the Territory”, curated by Per Aage Brandt and Claus Carstensen, Esbjerg Kunstmuseum, Esbjerg, Denmark


2007
“Collezionismi, il mondo come voluttà e simulazione”, Assab One, Milano

2006
“Qui & là”, O’artoteca, Milan, Italy, curated by Paolo Bianchi and Barbara     Fassler

2005
“La Dolce Crisi” Villa Manin, Codroipo (Udine), Italia
The Second Guangzhou Triennial, Guangzhou
“6X Torino”, GAM Galleria D’Arte Moderna e Contemporanea, Torino
“InSite_05. Art Practices in the Public Domain”, Tijuana (San Diego)
“DMZ_05”, Paju Book City (South Korea)
“Herzog & de Meuron, An Exibition”, Tate Gallery, Londra
“Das Verlorene Paradies”, Opelvillen, Russelsheim
“Galleria in Galleria”, Metropolitana di Milano, Milano, Italia
“Dingpolitik”, ZKM, Center for Art and Media, Karslruhe, Germania
“Architecture Invisible”, Centre Culturel Suisse, Parigi
“Lo Sguardo Italiano”, Rotonda della Besana, Milano, Italia

2004
“.Scapes”, Haus der Kunst, Merano

2003
“Solid Sea, Odessa/The World”, Spazio Lima, Milano
50a Esposizione Internazionale d'Arte, Biennale di Venezia, Venezia
“Territories”, Witte de With, Rotterdam
“Territories”, Kunstwerke, Berlino
“Far away so close”, Aosta
“Transparent”, Museo Nazionale delle Arti del XXI secolo, Roma
“Geography and the Politics of Mobility”, Generali Foundation, Vienna

2002
“L’Immagine Ritrovata”, Museo Cantonale d’Arte, Lugano
“Side Effects”, Triennale di Milano, Milano
25th Bienal de São Paulo

2001
“The Overexcited Body”, SESC Pompèia, São Paulo
Bienal de Valencia, Valencia

2000
7th Mostra Internazionale di Architettura, Biennale di Venezia, Venezia
Voilà – Le Monde dans la Tête”, Musée d’Art Moderne de la Ville de Paris, Parigi

1999
“Cities on the Move”, Hayward Gallery, London; “Cities on the Move”, Louisiana Museum, Humlebæk
“Laboratorium”, Antwerpen

1998
“Cities on the Move” CAPC Musée d’Art Contemporain, Bordeaux; “Cities on the Move”, PSI, New York
Berlin Biennale, Berlino