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Elisabetta Benassi | EMPIRE, 2019 | Terracotta bricks | Installation view at Palazzo Altemps, Rome
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Elisabetta Benassi | EMPIRE, 2019 | Terracotta bricks | Installation view at Palazzo Altemps, Rome
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Elisabetta Benassi | EMPIRE, 2019 | Terracotta bricks | Installation view at Palazzo Altemps, Rome
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Elisabetta Benassi |
Prosperity | 2017 |
Automate ironing machine, vapour |
157 x 100 x 120 cm |
Installation view at Collezione Maramotti |
Ph. Andrea Rossetti
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Elisabetta Benassi |
Zeitnot | 2017 |
Five thousand English firebricks |
175 x 500 x 380 cm |
Installation view at Collezione Maramotti |
Ph. Andrea Rossetti
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Elisabetta Benassi |
Shadow work | 2017 |
English firebricks, Eastern carpets |
103 x 550 x 435 cm |
Installation view at Collezione Maramotti |
Ph. Andrea Rossetti
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Elisabetta Benassi |
It starts with the firing | 2017 |
Five metal elements, posters, audio track
Dimensions variable |
Installation view at Collezione Maramotti |
Ph. Andrea Rossetti
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Elisabetta Benassi |
Infinity | 2017 |
Bronze, wood wedges, gloves |
310 x 40 x 47 cm |
Installation view at Collezione Maramotti |
Ph. Andrea Rossetti
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Elisabetta Benassi | Mareo Merz | Installation view at Maxxi | 2017
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Elisabetta Benassi |
Letargo | 2016 |
Bronze, dirt |
Two elements, each 20 x 40 x 60 cm | Installation view at Magazzino
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Elisabetta Benassi |
Letargo | 2016 |
Bronze, dirt |
Two elements, each 20 x 40 x 60 cm | Installation view at Magazzino
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Elisabetta Benassi |
Mimetica | 2016 |
Artificial Palm Tree, steel, resin, natural fiber, polypropylene |
310 x 300 x 690 cm | Installation view at Magazzino
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Elisabetta Benassi |
Mimetica | 2016 |
Artificial Palm Tree, steel, resin, natural fiber, polypropylene |
310 x 300 x 690 cm | Installation view at Magazzino
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Elisabetta Benassi I Mimetica | 2016 |
Autoritratto al Lavoro | 2016 | Installation view at Magazzino
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Elisabetta Benassi | Autoritratto al lavoro| 2016 | Motor Hoe (Meccanica Benassi) | 105 x 70 x 140 cm | Installation view at Magazzino
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Elisabetta Benassi |
Mimetica| 2016 |
Autoritratto al Lavoro | 2016 | Installation view at Magazzino
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Elisabetta Benassi | Autoritratto al lavoro, 2016 Motozappa / Motor Hoe (Meccanica Benassi) 105 x 70 x 140 cm Detail
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Elisabetta Benassi |
Salamandra ZAF | 2016 | Steel and car emblems | 171 x 350 cm | Installation view at Magazzino
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Elisabetta Benassi |
That’s Me In The Picture (post-card) | 2016 |
Double-sided inkjet print on rice paper, walnut wood |
210 x 110 cm
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Elisabetta Benassi |
Road Rage| 2016 |
Found truck tyre, gilded bronze |
105 x 105 x 30 cm
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Elisabetta Benassi |
Road Rage| 2016 |
Found truck tyre, gilded bronze |
105 x 105 x 30 cm | detail view
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Elisabetta Benassi | M’FUMU |2015 |Installation view at Belgian Pavilion at La Biennale di Venezia56th International Art Exhibition | Courtesy the artist and Magazzino Rome.
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Elisabetta Benassi | M’FUMU |2015 |Installation view at Belgian Pavilion at La Biennale di Venezia56th International Art Exhibition | Courtesy the artist and Magazzino Rome.
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Elisabetta Benassi | M’FUMU |2015 |Installation view at Belgian Pavilion at La Biennale di Venezia56th International Art Exhibition | Courtesy the artist and Magazzino Rome.
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Elisabetta Benassi |
GGGSSSPPPPPPTTTRRRRRRGGGNNN |
2014 |
Bronze |
Dimension variable
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Elisabetta Benassi | 2014 | Corsaro | Maxxi, Rome
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Elisabetta Benassi |
GSPPTRGN| 2014 |
Bronze |
60 x 40 x 43 cm
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Elisabetta Benassi | Pausa lavoro (Mensa in fabbrica), 2013 |
Metal, laminated wood, motor, electronic switch, electric wires | 76 × 600 × 90 cm | Installation view at Fondazione Merz, Turin 2013
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Elisabetta Benassi | Passato e presente | 2013 | Book, wrought iron nail | 18,5 x 11,5 x 9 cm
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Elisabetta Benassi | The Dry Salvages | 2013 | 10.000 hand-made bricks, sand and 1 book | Site Specific Installation at Italian Pavilion for the 55th Venice Biennale
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Elisabetta Benassi | The Dry Salvages |2013 | 10.000 hand-made bricks, sand and 1 book | Site Specific Installation at Italian Pavilion for the 55th Venice Biennale
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Elisabetta Benassi | The Dry Salvages | 2013 | 10.000 hand-made bricks, sand and 1 book | Site Specific Installation at Italian Pavilion for the 55th Venice Biennale
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Elisabetta Benassi | Finalmente solo, finalmente tutti | 2013 | 2 morse lamps, 2 tripods, electromagnets, electronic control unit, wood and electrical wires | variable dimentions | Installation view at Fondazione Merz, Turin 2013
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Elisabetta Benassi | Make War Together / Make Peace Together |2013 | Hand-knotted wool carpet | 401 x 298 cm | Courtesy the artist and Maramotti Collection, Reggio Emilia (Italy) |
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Elisabetta Benassi | The Bullet-Proof Angela Davis| 2011 | Steel and plexiglass structure, tape recorder, electric wire, watercolour on paper (30 x 29 cm) | 240 x 200 x 140 cm
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Elisabetta Benassi | The Innocents Abroad | 2011 | 9 automatized microfiche readers, microfiche, tables , neon lights, electronic unit, electric wires |
Each Unit 140 x 60 x 60 cm | Installation view at the 54th Venice Biennale, curated by Bice Curiger, Corderie dell’Arsenale, Venice | Collection Matteo Viglietta S.p.A., Collezione La Gaia, Busca, Cuneo | Courtesy Photo © Claudio Abate
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Elisabetta Benassi | Stalin| 2010 |
Watercolor and pencil on paper | 40 x 33 cm
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Elisabetta Benassi | Feltrinelli |2010 | Watercolor, pencil and marker pen on paper 36,5 x 30,5 cm | Collection Castello di Rivoli, Torino
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Elisabetta Benassi | Picasso| 2012 | Watercolor and pencil on paper | 42 x 35 cm
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Elisabetta Benassi | Telegram from Buckminster Fuller to Isamu Noguchi Explaining Einstein’s Theory of Relativity |2009 | Hand-knotted wool carpet | 500 x 618 cm | Installation view Art Unlimited, Basel 2009
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Elisabetta Benassi | Alfa Romeo GT Veloce 1975-2007, | Automobile with side lights, headlights and main beams on, transformer, electric cables | 150 x 160 x 430 cm | Courtesy of Unicredit Group Collection – on long-term loan to MAXXI, Rome | Installation view Luce di pietra, Palazzo Farnese, Rome
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Elisabetta Benassi | MIRAGE#3 |2005 | Videotape DV-CAM PAL colour sound,transferred on DVD | 3’00”
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Elisabetta Benassi | Timecode | 2000 | Videotape Beta SP, PAL Colour Sound, 3’ 40” | With : Elisabetta Benassi, Davide Leonardi | Camera: Jacqueline Zünd
